English First Additional Language
Paper 2 (P2)
Grade 12
Nsc Past Papers And Memos
September 2016

INSTRUCTIONS AND INFORMATION 
Read these instructions carefully before you begin to answer questions. 

  1.  Do NOT attempt to read the entire question paper. Consult the Table of  Contents on the next page and mark the numbers of the questions set on  texts you have studied this year. Thereafter, read these questions and  choose the ones you wish to answer.
  2. This question paper consists of FOUR sections:
    SECTION A: Novel (35)
    SECTION B: Drama (35)
    SECTION C: Short Stories (35)
    SECTION D: Poetry (35) 
  3. Answer TWO QUESTIONS in all, ONE question each from ANY TWO  sections.
    SECTION A: NOVEL
    Answer the question on the novel you have studied.
    SECTION B: DRAMA
    Answer the question on the drama you have studied.
    SECTION C: SHORT STORIES
    Answer the questions set on BOTH short stories.
    SECTION D: POETRY
    Answer the questions set on BOTH poems.
  4. Use the checklist on page 4 to assist you.
  5. Follow the instructions at the beginning of each section carefully.
  6. Number the answers correctly according to the numbering system used in  this question paper.
  7. Start EACH section on a NEW page.
  8. Suggested time management: Spend approximately 60 minutes on each  section.
  9. Write neatly and legibly.

TABLE OF CONTENTS
SECTION A: NOVEL 
Answer ANY ONE question if you choose from this section. 

 

QUESTION 

QUESTION 

MARKS 

PAGE

1. 

To kill a Mockingbird 

Contextual question 

35 

5

 

OR

2. 

Lord of the Flies 

Contextual question 

35 

9

 

OR

3. 

A Grain of Wheat 

Contextual question 

35 

13

SECTION B: DRAMA 
Answer ANY ONE question if you choose from this section. 

4. 

Romeo and Juliet 

Contextual question 

35 

17

 

OR

5. 

Nothing but the Truth 

Contextual question 

35 

21

SECTION C: SHORT STORIES 
Answer BOTH questions if you choose from this section. 

6.1 

‘Relatives’ 

Contextual question 

17 

24

 

AND

6.2 

‘Manhood’ 

Contextual question 

18 

26

SECTION D: POETRY 
Answer BOTH questions if you choose from this section.

7.1 

‘Let me not to the marriage of  true minds.’

Contextual question 

18 

28

 

AND

7.2 

‘Elementary school classroom  in the slum’

Contextual question 

17 

30

CHECKLIST 

Use the checklist provided below to assist you to see whether you have  answered the required number of questions. 

NOTE: 

  • Answer questions from ANY TWO sections.
  • Tick the sections you have answered. 

SECTION 

QUESTION 

NUMBERS

NO. OF 

QUESTIONS 

TO ANSWER

TICK 

(✔)

A: Novel 
(Contextual)

1–3 

1

 

B:  Drama
(Contextual) 

4–5 

1

 

C: Short Stories
(Contextual)

1

 

D: Poetry 

1

 

NOTE: Ensure that you have answered questions on TWO sections only.

SECTION A: NOVEL 
In this section, there are contextual questions on the following novels: 

  • TO KILL A MOCKINGBIRD by Harper Lee
  • LORD OF THE FLIES by William Golding 
  • A GRAIN OF WHEAT by Ngũgĩ wa Thiong’o 

Answer ONE question from this section on the novel you have studied.

QUESTION 1: TO KILL A MOCKINGBIRD 
Read BOTH extracts from the novel and answer the questions set on each. The  number of marks allocated to each question serves as a guide to the expected  length of your answer. 

NOTE: Answer questions in your own words unless you are asked to quote. Answer the questions set on BOTH extracts, i.e. QUESTION 1.1 and  QUESTION 1.2.  

1.1 [The narrator looks back on events.] 

Walter had picked himself up and was standing quietly listening  to Jem and me. His fists were half cocked, as if expecting an  onslaught from both of us. I stomped at him to chase him away,  but Jem put out his hand and stopped me. He examined Walter  with an air of speculation. “Your daddy Mr Walter Cunningham  from Old Sarum?” he asked, and Walter nodded. 

Walter looked as if he had been raised on fish food: his eyes, as  blue as Dill Harris’s, were red-rimmed and watery. There was  no colour in his face except at the tip of his nose, which was moistly  pink. He fingered the straps of his overalls, nervously  picking at the metal hooks. 
Jem suddenly grinned at him. “Come on home to dinner with us,  Walter,” he said. “We’d be glad to have you.” 
Walter’s face brightened, then darkened. 
Jem said’ “Our daddy’s a friend of your daddy’s. Scout here,  she’s crazy – she won’t fight any more. 
I wouldn’t be too certain of that,” I said. Jem’s free dispensation of  my pledge irked me, but precious noontime minutes were ticking  away. “Yeah Walter, I won’t jump on you again. Don’t you like  butterbeans? Our Cal’s a real good cook.”
Walter stood where he was, biting his lip. Jem and I gave up, and  we were nearly to the Radley Place when Walter called, “Hey, I’m  comin’!” 

[Chapter 3]

1.1.1 What event led to the confrontation between Scout and Walter? (1) 
1.1.2 Refer to lines 2–3: ‘… if expecting an onslaught from both of  us.’ 

Why do you think was Walter expecting Jem and Scout to  attack him? (2) 

1.1.3 Quote FOUR CONSECUTIVE words from lines 2–3 to prove  that Walter was expecting them to attack him. (2) 
1.1.4 State whether the following statement is TRUE or FALSE. Walter Cunningham’s image speaks of one who has been well nourished. 

Write down TWO things from the extract to prove your answer. (2) 

1.1.5 Choose the correct answer to complete the following sentence.  Write only the answer (A–D). 

“Walter’s face brightened, then darkened” because he feared …

  1. Scout.
  2. Miss Caroline.
  3. that he would not fit in.
  4. Boo Radley. (1) 

1.1.6 Who is “Cal” and why would Scout refer her to her as “Our  Cal”? (2) 
1.1.7 Why are the children both fascinated and terrified of Boo  Radley? (4) 
1.1.8 Later in the chapter it states that Jem had little fear of Boo  Radley when Scout and Walter walked beside him. Why do  you think is this? (2) 
1.1.9 Explain why Calpurnia speaks differently when at home and  when she is working. (2) 

AND

1.2

Atticus was feeble: he was nearly fifty. When Jem and I asked him why  he was so old, he said he got started late, which we felt reflected upon his  abilities and manliness. He was much older than the parents of our school  contemporaries, and there was nothing Jem or I could say about him when  our classmates said, “My father …”  Jem was football crazy. Atticus was never too tired to play keep-away, but  when Jem wanted to tackle him Atticus wold say, “I’m too old for that, son.” Our father didn’t do anything. He worked in an office, not in a drugstore.  Atticus did not drive a dump-truck for the county, he was not the sheriff, and he did not farm, work in a garage, or do anything that could possibly  arouse the admiration of anyone. 
Besides that, he wore glasses, He was nearly blind in his left eye, and said  left eyes were the tribal curse of the Finches. Whenever he wanted to see  something well, he turned his head and looked from his right eye.  He did not do the things our schoolmates’ fathers did: he never went  hunting, he did not play poker or fish or drink or smoke. He sat in the living  room and read. 

[Chapter 10] 

1.2.1 Jem and Scout, like many other children, are embarrassed by their  father. Write down THREE things about their father that led to their  embarrassment. (3) 
1.2.2 What, according to the text, can the children use to complete the  sentence, “My father …”? Use any two. (2) 
1.2.3 Refer to line 14: ‘… left eyes were the tribal curse of the Finches.’ Explain using you OWN WORDS what Atticus meant. (1) 
1.2.4 From your knowledge of the rest of the chapter … gave Jem and  Scout air-rifles. 

Choose the correct option. 

  1. Dill Harris
  2. Miss Maudie
  3. Francis Hancock
  4. Atticus Finch (1) 

1.2.5 Complete the following sentence by filling in the missing word.  Write down ONLY the number and the word of your choice. 

Although Atticus preferred the children to shoot at tin cans, he gave  them permission to shoot … (1) 

1.2.6 Is the following statement TRUE or FALSE?  

Write ‘True’ or ‘False’ and give a reason for your answer. 
Atticus is the best checker-player in his town. (1)

1.2.7 Give the two reasons why Miss Maudie agrees with Atticus that it  is a sin to kill a mockingbird. (2) 
1.2.8 Just after this incident in the extract, something happened that changed the children’s attitude from being embarrassed to being  very proud of their father. 

Briefly relate what happened. (4) 

1.2.9 Do you think Jem was right in not allowing Scout to tell everyone  at school about Atticus? (2)

[35] 

OR

QUESTION 2: LORD OF THE FLIES 
Read the following extracts from the novel and answer the questions set on  each. The number of marks allocated to each question serves as a guide to the  expected length of your answer. 

NOTE: Answer questions in your own words unless you are asked to quote.  Answer the questions set on BOTH extracts, i.e. QUESTION 2.1 and QUESTION 2.2. 

2.1 [The Lord of the Flies taunts Simon.] 

By the time Ralph finished blowing the conch the platform was  crowded. There were differences between this meeting and the  one held in the morning. The afternoon sun slanted in from the  other side of the platform and most of the children, feeling too late  the smart of sunburn, had put their clothes on. The choir, less of a 5 group, had discarded their cloaks. Ralph sat on a fallen trunk, his  left side to the sun. On his right were most of the choir; on his left  the larger boys who had not known each other before the  evacuation; before him small children squatted in the grass. 10 Silence now. Ralph lifted the cream and pink shell to his knees and  a sudden breeze scattered light over the platform. He was  uncertain whether to stand up or remain sitting. He looked  sideways to his left, toward the bathing pool. Piggy was sitting 15 near but giving no help. Ralph cleared his throat. “Well then.” All at  once he found he could talk fluently and explain what he had to say  .He passed a hand through his fair hair and spoke. “We’re on an  island. We’ve been on the mountain top and seen water all 20 round. We saw no houses, no smoke, no footprints, no boats, no  people. We’re on an uninhabited island with no other people on  it.” 

[Chapter 2] 

2.1.1 Refer to lines 2–3: ‘There were differences between this meeting  and the one held in the morning.’ 

What were these differences? (2 + 2) (4) 

2.1.2 Do you think Ralph was confident to speak to the boys? Quote a  line from the text to prove your answer. (2)
2.1.3 Each of the characters in the novel play a vital role to create  the success of the mood of the story. Choose the portrayal from COLUMN B to match the characteristic in COLUMN A.  Write down only the letter (A–E) next to the question number  (2.1.3(a)–2.1.3(d)). 

COLUMN A 

COLUMN B

(a) Ralph
(b) Piggy 
(c) Simon 
(d) Roger 

A He becomes the leader of the  hunters but longs for total power
B A twelve-year-old English boy  who is elected leader of the group of boys 
C A shy, sensitive boy in the  group 
D A whiny, intellectual boy 
E A sadistic, cruel older boy who  brutalises ‘the littluns’ 

(4)

2.1.4 Refer to lines 20–21: ‘We’ve been on the mountain top and  seen water all round.’ 

  1. Later in the story Ralph commented that they had  everything that they could want. Name TWO of these  important elements. (2)
  2. What important things were not on the list? Name any  TWO. (2) 

2.1.5 At the announcement about making the fire, Ralph charged off  with the rest of the boys. What does this action reveal about  him? (2) 
2.1.6 Refer to lines 3–4: ‘The afternoon sun slanted in from the other  side of the platform’. 

Identify the figure of speech in this line. (1)

2.1.7 What did the boys use to start the fire on the mountaintop? (1)

AND

2.2 [There is confrontation between Ralph and Jack.] 

“Henry was a bit of a leader this afternoon, because the other two  were Percival and Johnny, the smallest boys on the island. Percival  was mouse-coloured and had not been very attractive even to his  mother; Johnny was well built, with fair hair and a natural  belligerence. Just now he was being obedient because he was interested; and the three children, kneeling in the sand, were at  peace. Roger and Maurice came out of the forest. They were  relieved from duty at the fire and had come down for a swim. Roger  led the way straight through the castles, kicking them over, burying  the flowers, scattering the chosen stones. Maurice 10 followed, laughing, and added to the destruction. The three littluns  paused in their game and looked up. As it happened, the particular marks in which they were interested had not been  touched, so they made no protest. Only Percival began to whimper with an eyeful of sand and Maurice hurried away. In his 15 other life Maurice had received chastisement for filling a younger  eye with sand. Now, though there was no parent to let fall a heavy  hand, Maurice still felt the unease of wrongdoing. At the back of his  mind formed the uncertain outlines of an excuse. He muttered  something about a swim and broke into a trot. Roger remained, 20 watching the littluns.  

2.2.1 Refer to lines 4–5: ‘Johnny was well built, with fair hair and a  natural belligerence.’ 

Choose the correct synonym to replace the underlined word in  the above sentence. Write only the answer (A–D). 

    1. happiness.
    2. violence 
    3. hunger
    4. fatigue. (1)

2.2.2 Refer to lines 3–4: ‘Percival was mouse-coloured and had not  been very attractive even to his mother; …’. 

  1. Explain why you think this would be the most insulting  thing to say to someone. (1)
  2. What does the above sentence disclose about Percival? (1) 

2.2.3 In lines 11 and 21 they are referred to as ‘littluns’. 

Briefly describe who they are and why the name is used for  them. (3) 

2.2.4 Is the following statement TRUE or FALSE? Write ‘True’ or  ‘False’ and give a reason for your answer. 

The little boys protested when Roger and Maurice destroyed  the castles. Quote FOUR CONSECUTIVE words to  substantiate your answer. (2) 

2.2.5 Why do you think was the reason for Percival to be “peaked,  re-eyed and miserable” as it is stated further in the story?  State THREE points. (3) 
2.2.6 If you were in Roger’s position, what would you have done  differently? Discuss your view. (4) 
2.2.7 Replace ‘the unease of wrongdoing’ with a single suitable  word. (1) 
2.2.8 From your knowledge of the rest of the extract, who was  referred to as the person with ‘china-blue eyes’? (1)

[35] 

OR

QUESTION 3: A GRAIN OF WHEAT 
Read the following extracts from the novel and answer the questions set on each.  The number of marks allocated to each question serves as a guide to the  expected length of your answer. 
NOTE: Answer questions in your own words unless you are asked to quote.  Answer the questions set on BOTH extracts, i.e. QUESTION 3.1 and QUESTION 3.2. 
3.1 [Karanja’s visit to the Thompson’s house.] 

Margery came back with two cups of coffee. “Do you take sugar  in your coffee?”
“No,” he said automatically, and knew, at the  same time, he lacked the courage to ask her about the rumours. Karanja loathed tea or coffee without lots of sugar. Margery sat  opposite Karanja and crossed her legs. She put 5 her cup on the arm of the chair. Karanja held his in both hands  afraid of spilling a drop on the carpet. He winced every time he  brought the cup near his lips and nostrils.

“How many wives have  you?” she asked. This was her favourite question to Africans; it  began the day she discovered her latest cook had 10 three wives. Karanja started as if Margery had tickled a wound  that had only healed at the surface. Mumbi.
“I am not married.”  
“Not married? I thought you people – Are you going to buy a  wife?” 
‘I don’t know.’ ‘Have you a friend, a woman?’ she pursued, her  curiosity mounting; her voice was timbred with warmth.  Something in the quality of her voice touched Karanja. Would she  understand? Would she? ‘I had a woman. I – I loved her,’ he said  boldly.
He closed his eyes with sudden, huge effort, gulped down  the bitter coffee. ‘Why didn’t you marry her? Is she dead or –’
‘She  refused me,’ he said. 

 [Chapter 4] 

3.1.1 From your knowledge of the novel, why would Karanja wish others  would see him having coffee with Margery? (1)
3.1.2 Choose a description from COLUMN B that matches a name in  COLUMN A. Write down only the letter (A–E) next to the question  number (3.1.2(a) – 3.1.2(d)) in the ANSWER BOOK. 

COLUMN A

COLUMN B

(a) Mugo
(b) Karanja
(c) Kihika
(d) Mumbi 

A John Thompson’s wife 
B Anti-social and isolated from the  community 
C While Gikonyo was imprisoned she slept  with Karanja, who had been appointed  village chief by the colonial power
D He confessed to being a member of the  Movement 
E She cared for her family during the State  for Emergency

(4 x 1) (4) 

3.1.3 Refer to lines 13–14: ‘I thought you people – Are you going to buy a  wife?’ 

Briefly account for the words “you people” as it is used by Margery in  the extract. (3) 

3.1.4 Karanja is appointed as the personal messenger to John Thompson  and Mrs Dickens. 

  1. In your opinion, why do you think he resents his job? (1) 
  2. Why do you think he endures it? (1) 

3.1.5 Refer to line 3: What rumour is this that Karanja would like to ask  Margery about? (1)
3.1.6 Using your knowledge of the chapter, read the following statement and then decide if it is TRUE or FALSE. Give reasons for your  response. 

John Thompson is confident that the Kenyans will be able to run the  research station after independence. (2)

3.1.7 Refer to lines 11–12: ‘Karanja started as if Margery had tickled a  wound that had only healed at the surface.’ 

  1. How does it feel if a wound is tickled at the surface? (1) 
  2. Why did Karanja start speaking as if Margery, ‘had tickled a  wound that had only healed at the surface’? (2)
  3. Is the statement meant literally or figuratively? (1) 

3.1.8 Refer to lines 7–8: ‘He winced every time he brought the cup near  his lips and nostrils.’ 

Choose the correct answer to complete the sentence. 
To ‘wince’ means to … 

    1. fear.
    2. smile.
    3. cringe.
    4. frown. (1)

AND 

3.2 [Gikonyo visits Mugo.] 

“No. It is not that which brought me here tonight.” He told  Mugo about his visit to Nairobi and his meeting with the MP Mugo, who sat on the bed opposite Gikonyo, waited for him  to continue. The fire contained in the hearth place by three  stones glowed between 5 them.
“But it is not that which brought me here. It is my  troubles, troubles of the heart.” Gikonyo smiled and tried to  sound casual.
“I was really coming to ask you a question,”  he finished with a dramatic pause. Mugo’s heart sagged  between fear and curiosity.
“Do you 10 know that you and I were once in the same detention  camp?” Gikonyo said, feeling his way into a talk.
“Were  we? I can’t remember.” Though slightly relieved, Mugo was  still suspicious. “There were so many people,” he added  quickly. “It was at Muhia camp. We knew you 15 were to be brought there. We had, of course, heard about  you in connection with the hunger-strike at Rira. The  authorities did not tell us.
It was supposed to be a secret, but we knew.” Mugo vividly remembered Rira and  Thompson, who beat him. Of Muhia, he could only 20 recall the barbed-wire and the flat dry country. But then  most camps were in such areas. “Why do you tell me all  this? I don’t like to remember.” “Do you ever forget?” “I try  to. The government says we should bury the past.” 25

[Chapter 6]

3.2.1 Refer to line 2: What does the abbreviation MP stand for? (1) 
3.2.2 Complete the following sentence by filling in the correct words. Gikonyo became a successful businessman both as a (a) … and  (b) a … . (2) 
3.2.3 How does Gikonyo’s personality contrast to that of the MP? (2)
3.2.4 Refer to line 1: ‘No. It is not that which brought me here tonight.’

  1. What did Mugo think was the reason for Gikonyo’s visit? (1) 
  2. What was the factual reason for his visit? (2)

3.2.5 Refer to lines 6–7: ‘It is my troubles, troubles of the heart.’

Account for the repetition of the word ‘troubles’ in the sentence. (1) 

3.2.6 Name TWO things, mentioned in the text, that are tantamount to  concentration (detention) camps. (2) 
3.2.7 Is the following statement TRUE or FALSE? Write ‘True’ or ‘False’  and give a reason for your answer. 

Mugo was excited about his speech on Independence Day,  therefore, to avoid seeing anyone in Thabai, Mugo walks to  Nairobi. (2) 

3.2.8 Did Mugo eventually speak at the Independence Day celebrations?  Why/Why not? 

Give TWO reasons for your answer. (2) 

3.2.9 From your knowledge of the novel, what does the forest symbolise  to the freedom fighters? (1) 
3.2.10 Quote ONE word from the text that tells us that although Mugo was  somewhat reassured, he was still unconvinced.(1) [35] 

TOTAL SECTION A: 35

SECTION B: DRAMA 
In this section, there are contextual questions on the following plays: 

  • ROMEO AND JULIET by William Shakespeare
  • NOTHING BUT THE TRUTH by John Kani 

Answer ONE question from this section on the play you have studied. QUESTION 4 

ROMEO AND JULIET 
Read the following extracts from the play and answer the questions set on each.  The number of marks allocated to each question serves as a guide to the  expected length of your answer.  
NOTE: Answer questions in your own words unless you are asked to quote.  Answer the questions set on BOTH extracts, i.e. QUESTION 4.1 and QUESTION 4.2. 
4.1 [(Act 2, Scene 2) The balcony scene allows Juliet and Romeo to come to  grips with the essential problem with which they are faced.] 

JULIET 
'Tis but thy name that is my enemy; 
Thou art thyself, though not a Montague. 
What's Montague? it is nor hand, nor foot, 
Nor arm, nor face, nor any other part 
Belonging to a man. O, be some other name! 5
What's in a name? that which we call a rose
By any other name would smell as sweet; 
So Romeo would, were he not Romeo call'd, 
Retain that dear perfection which he owes 
Without that title. Romeo, doff thy name, 10
And for that name which is no part of thee 
Take all myself. 

ROMEO 
I take thee at thy word: 
Call me but love, and I'll be new baptized; 
Henceforth I never will be Romeo. 15 

JULIET 
What man art thou that thus bescreen'd in night 
So stumblest on my counsel?

ROMEO 
By a name 
I know not how to tell thee who I am: 
My name, dear saint, is hateful to myself, 20
Because it is an enemy to thee; 
Had I it written, I would tear the word. 

JULIET 
My ears have not yet drunk a hundred words 
Of that tongue's utterance, yet I know the sound: 
Art thou not Romeo and a Montague? 25 

ROMEO 
Neither, fair saint, if either thee dislike. 

[Act 2, Scene 2]

4.1.1 Refer to line 1: 

'Tis but thy name that is my enemy’ 
What does Juliet mean by saying this? (1) 

4.1.2 Refer to line 3: 

‘What’s Montague? What’s in a name?’ 
Explain in your own words Juliet’s reasoning in these quotes. (2) 

Related Items

4.1.3 Was the invasion of Romeo in Juliet’s soliloquy impolite? Give  a reason for your answer. (2) 
4.1.4 Refer to the setting of Juliet’s speech. 

Choose the correct answer to complete the following sentence.  Write only the answer (A–D). 
The garden setting invokes the images of the garden of Eden  which symbolises … 

  1. purity and virginity. 
  2. evil and dishonesty. 
  3. disobedience.
  4. a soliloquy. (1) 

4.1.5 Refer to lines 10–12: 

‘Romeo, doff thy name, 
And for that name which is no part of thee 
Take all myself’ 
Rewrite her words in modern English. (3) 

4.1.6 Juliet was always a pure example of obedience before she fell  in love with Romeo. How did her behaviour change? Name  THREE incidents from this scene. (3)
4.1.7 Is the following statement TRUE or FALSE?  

Write ‘True’ or ‘False’ and give a reason for your answer. 
Juliet asked Romeo to NOT swear at the moon regarding his  love for her because she would prefer he wait until dawn and  swear on the sun. (2) 

4.1.8 After what happened in this scene, some dramatic changes  have taken place in both characters. Write down TWO  changes that took place in both Romeo and Juliet respectively.   (2 + 2) (4) 

AND 

4.2

LADY CAPULET
Well, girl, thou weep'st not so much for his death, 
As that the villain lives which slaughter’d him. 

JULIET 
What villain madam? 

LADY CAPULET 5
That same villain, Romeo. 

JULIET [Aside.] 
Villain and he be many miles asunder.— 
God pardon him! I do, with all my heart; 
And yet no man like he doth grieve my heart. 10

LADY CAPULET
That is because the traitor murderer lives. 

JULIET 
Ay, madam, from the reach of these my hands: 
Would none but I might venge my cousin's death! 15

LADY CAPULET 
We will have vengeance for it, fear thou not: 
Then weep no more. I'll send to one in Mantua, 
Where that same banish'd runagate doth live, 
Shall give him such an unaccustom'd dram, 20
That he shall soon keep Tybalt company:
And then, I hope, thou wilt be satisfied. 

JULIET 
Indeed, I never shall be satisfied 
With Romeo, till I behold him—dead— 25
Is my poor heart so for a kinsman vex'd.
Madam, if you could find out but a man 
To bear a poison, I would temper it, 
That Romeo should, upon receipt thereof, 
Soon sleep in quiet. O, how my heart abhors 30
To hear him named, and cannot come to him 
To wreak the love I bore my cousin 
Upon his body that slaughter'd him!

LADY CAPULET 
Find thou the means, and I'll find such a man. 35 But now I'll tell thee joyful tidings, girl. 

JULIET 
And joy comes well in such a needy time: 
What are they, I beseech your ladyship? 40 

[Act 3, Scene 5]

4.2.1 Choose a description from COLUMN B that matches the symbol as used in the extract in COLUMN A. Write down only the letter  (A–E) next to the question number (4.2.1(a)–4.2.1(d)). 

COLUMN A 

COLUMN B

(a) The lark 
(b) The nightingale
(c) Night’s candles 
(d) The lark and toad 

A They have changed their eyes
B Herald of the morning
C Sings every night on a nearby  pomegranate tree
D The stars 
E Faithfulness

(4 x 1) (4) 

4.2.2 Where did Romeo and Juliet find themselves before Lady  Capulet entered? What was the reason for them being there? (2) 
4.2.3 Earlier Juliet denies that day has dawned. State TWO reasons  that Romeo gives why he had to leave. (2) 
4.2.4 Refer to line 2: ‘Well, girl, thou weep’st not so much for his  death’. Give the reason why Juliet was crying and what her  mother thought the reason was for Juliet’s weeping. (2) 
4.2.5 Refer to lines 20–21: ‘Shall give him such an unaccustom’d  dram, That he shall soon keep Tybalt company:’ 

  1. What is a ‘dram’? (1)
  2. How would the villain keep Tybalt company? (1)

4.2.6 Explain briefly how Lady Capulet is ‘fooled’ by Juliet. (3) 
4.2.7 Briefly discuss the significance of the use of light and dark  imagery in this scene. (2)

[35] 

OR

QUESTION 5: NOTHING BUT THE TRUTH 
Read the following extracts from the play and answer the questions set on each. The  number of marks allocated to each question serves as a guide to the expected length of  your answer. 
NOTE: Answer questions in your own words unless you are asked to quote. Answer the questions set on BOTH extracts, i.e. QUESTION 5.1 and 

QUESTION 5.2. 
5.1 [Sipho is preparing to go to the airport. He boils water on the stove, saving some  for Thando.] 

 SIPHO:

Typical. Just like him. Always not there to take responsibility. Even  when we were kids. It was never his fault. Even when he lost my blazer, it wasn’t his fault. So said my mother. Damn you  Themba. All I wanted was a little time. Just for the two of us. There  are things that I wanted to talk to you about. There are questions I  needed to 5 ask. But no. Themba doesn’t arrive. He is not available. As usual. I  am the eldest. I must understand. [Checks the time.] Oh my God.  Where is Thando? It’s getting late. [Goes to the telephone and  dials.] Hello is that Mr Khahla – it’s me, yes Sipho. No, not yet. I  was just reminding you. 10 

[THANDO rushes in carrying her briefcase, handbag and books.]  
Yes we will be ready. OK Mr Khahla … 

THANDO: I am home. I am sorry I’m late. 
SIPHO: Shh! No, no, it’s still OK. I’ve just called the undertaker. Anyway  we still have time. There is hot water for you in the kettle if you want  to freshen up. 15 
THANDO: Oh Daddy you really spoil me, you know. Thanks. Hey, any  news about the job? 

[Act 1,Scene 1] 

5.1.1 Choose a description from COLUMN B that matches a name in  COLUMN A. Write down only the letter (A–E) next to the question number  (5.1.1(a)–5.1.1(d)).  

COLUMN A 

COLUMN B

(a) Mr Khahla
(b) Sipho 
(c) Themba
(d) Mpho 

A   A librarian 
B   A funeral director 
C   A history teacher 
D   The deceased 
E   Mandisa’s boyfriend

(4 x 1) (4)

5.1.2 Refer to line 3: ‘… it wasn’t his fault. So said my mother.’ 

Describe Sipho’s feeling towards Themba and his mother. (2) 

5.1.3 Why did Sipho need to remind Mr Khahla to pick him up at home?  State THREE points. (3) 
5.1.4 Refer to lines 3–4: ‘Damn you Themba.’ 

Do the above words prove Sipho’s bitterness towards Themba? 
Write TRUE or FALSE and substantiate your answer. (2)

5.1.5 Refer to lines 17–18: ‘Hey, any news about the job?’ 

  1. What job is Thando referring to? (1)
  2. Explain in detail why Sipho feels that he deserves to get the job. (2)
  3. Write down THREE things that might count against him for not  being successful in getting the job. (3) 

5.1.6 Refer to line 17: ‘Oh Daddy you really spoil me,’ From your knowledge  of the rest of the story, why would you say Sipho is spoiling Thando? (1) 

5.2 [Thando and Mandisa return to Sipho’s house.] 

THANDO: Hello Tata. No sign of him. Anybody home? [Looking into Sipho’s  room.] That’s strange he’s always here by now. 
MANDISA: [Opening a bottle of whisky which was in the duty free bag]: Keep  close tabs on him as much as he does on you? Do you? 
THANDO: It’s just that he is a creature of habit and you get used to people 5 like that. [Pause.] Why are you so quiet? You hardly said a thing in  the car on the way back. 
MANDISA: [pouring herself a shot of whisky]: No, I am thinking. 
THANDO: The hearings make you do that sometimes. 
MANDISA: That’s all there is to do? No more. We can all go home. All is 10 forgiven. Somebody died for God’s sake. Someone is guilty. 
THANDO: You don’t understand. That’s how we chose to do it. That’s the  option we took. 
MANDISA: Then make me understand. Pretend I am an idiot. Explain it to me.  A man sends a parcel bomb to two women and a child. It blows  their guts out and he is not guilty of any crime.15 
THANDO: It’s not as simple as that. There are conditions to be met. 
MANDISA: Damn you, Thando. This man murdered Ruth First in cold blood, in  the most cowardly way. Just because Joe Slovo was considered  Public Enemy No.1 by the apartheid government. A terrorist as the  20called him. Who the fuck gave Craig Williamson the right to murder  his wife? And what did Mrs Schoon and her daughter do? 

5.2.1 Choose the correct answer to complete the following sentence.  Write only the answer (A–D). 

Who is Mandisa and what is she doing in South Africa? 
Mandisa is … 

    1. Themba’s daughter and brought his remains home.
    2. Sipho’s daughter who came to claim her inheritance.
    3. Thando’s assistant at the TRC hearings.
    4. attending Luvuyo’s funeral. (1) 

5.2.2 Refer to lines 14–16: ‘Then make me understand. Pretend I am an  idiot. Explain it to me. A man sends a parcel bomb to two women  and a child. It blows their guts out and he is not guilty of any  crime.’ 

If you were the director of this play, what would you want  Mandisa’s face to express when saying these lines? (2) 

5.2.3 Is the following statement TRUE or FALSE? Write ‘True’ or ‘False’  and give a reason for your answer. 

Mandisa, being a very outspoken person, was quiet in the car  because Sipho was missing. (2) 

5.2.4 In line 1 Thando says, “no sign of him”. Where did Thando and  Mandisa find him? 

In your answer give THREE reasons why Sipho went to this  specific place. (1 + 3 x 1) (4)

5.2.5 Discuss TWO differences between Thando and Mandisa. (4)
5.2.6 From your knowledge of the play, discuss: 

  1. Themba’s feelings about South Africa (2)
  2. The way in which Themba raised Mandisa (2)

[35] 
TOTAL SECTION B: 35

SECTION C: SHORT STORIES 
In this section, questions have been set on the following stories: 

  • RELATIVES by Chris van Wyk
  • MANHOOD by John Wain 

QUESTION 6 
Read the following extracts from the short stories and answer the questions set on  each. The number of marks allocated to each question serves as a guide to the  expected length of your answer. 
NOTE: Answer questions in your own words unless you are asked to quote. Answer the questions set on BOTH extracts, i.e. ‘QUESTION 6.1 and  QUESTION 6.2. 
6.1 [In the train from Cape Town to Johannesburg.] 

The train from Cape Town – the very same one that had  brought me there two weeks before – slid into the station. I bade  Uncle Henkie goodbye with a promise that I would feature him  prominently and truthfully in my novel.
When the train slithered out, I turned to the passengers in the 5 compartment with whom I was going to spend the next sixteen hours  or so on the way to Johannesburg. 

There were three young men, two bearded, two chubby." (If you  think I can't count, remember the riddle of the two fathers and two  sons who each shot a duck. Only three ducks were shot. Why? Be 10 cause one was a grandfather, the other a father, and the last a son. The  man in the middle was both a father and a son, got it?) All youthful  and exuberant,” they were drinking beer, straight from the can, and  their conversation was full of the hammers and nails of their profession and  punctuated with laughter and inane!” arguments. None 15 of them swore and they all flashed smiles at me, accepting me into  their midst" with an easy friendliness. 
‘You been to Cape Town?’ one of them enquired. 
‘Ja,’ I said, shoving my bag into the space above the door among  their own bags and stuff. 20
‘Then you must’ve got your quota of ten girls,’ he said with a wink. Of  course I knew exactly what he was talking about: in the Mother City there  were at least ten girls to every boy. I gave them a supercilious nod, hoping  to convey the impression that I had certainly got my fair share. The truth of  it was very different. All I could truly claim was a brief encounter with Marina,  25 a nurse from Tygerberg Hospital. She had allowed me to kiss her in the  back seat of her cousin’s car, but my beer breath had proved too much for  her and after administering a violet-flavoured Beechie, she bade me  goodnight and told me to come and see her in the morning. 
There were two other passengers in the compartment. 30

6.1.1 Match the vocabulary from the story in COLUMN A with the  definition in COLUMN B. Write down only the letter (A–E) next to  the question number (6.1.1(a)–6.1.4(d)). 

COLUMN A 

COLUMN B

(a) Mother City
(b) Carnavon
(c) Henkie 
(d) Trans-Karoo 

A Great Uncle 
B Train 
C Simple breakfasts, lunches and  suppers
D Cape Town 
E Family saga

(4 x 1) (4) 

6.1.2 Refer to paragraph 1. Quote THREE CONSECUTIVE WORDS to  prove that Uncle Henkie wants be a main character in the writer’s novel. (2) 
6.1.3 Refer to line 5: ‘When the train slithered out …’ 

  1. Identify the figure of speech. (1)
  2. Explain what two things are compared. (2) 

6.1.4 Refer to line 23: ‘I gave them a supercilious nod …’ 

In the context of the story supercilious nod means … 

    1. stupid.
    2. quiet.
    3. superior.
    4. amusing. (1) 

6.1.5 Refer to the last line of the text. ‘There were two other passengers in  the compartment.’ 

With your knowledge of the story, compare the tone of the story  before the three companions left the train and after they disembarked the train. (4)

6.1.6 How old was the writer at the time? (1) 
6.1.7 Briefly explain IN YOUR OWN WORDS the comic ending and anti climax of Georgie’s story. (2) 

AND

6.2 MANHOOD – John Wain 
[Rob takes a rest.] 

 Don’t lie there,’ said his father. You’ll catch cold.’ ‘I’m all right. I’m warm’  ‘Come and sit on this’. When you’re overheated, that’s just when you’re  likely to catch-‘ 

‘I’m all RIGHT, Dad. I want to lie here. My back aches.’ ‘Your back  needs strengthening. That’s why it aches. It’s a pity we don’t live near 5 a river where you could do some rowing.’ The boy did not answer, and  Mr Willison, aware that he was beginning to sound like a nagging, over anxious parent, allowed himself to be defeated. He stopped  suggesting that Rob should come and sit on his jacket.  

Instead, he waited a moment, then glanced at his watch. 10 ‘Twenty to twelve. We must get going in a minute.’ ‘WHAT? I thought  we were going to have a rest.’ ‘Well, we’re having one, aren’t we?’ said  Mr Willison reasonably. I’ve got my breath back, so surely you must  have.’ My back still aches. I want to lie here a bit.’  

‘Sorry,’ said Mr Willison, getting up and moving over to his bicycle. 15 We’ve got at least twelve miles to do, and lunch is at one.’ 

‘Dad why did we have to come so far, if we’ve got to get back for one  o’ clock? I know, let’s find a telephone box and ring up Mum and tell  her we … 

‘Nonsense! There is no reason why two fit men shouldn’t cycle twelve 20 miles in an hour and ten minutes.’ 

6.2.1     

  1. What is the purpose of the father and son cycling? (2)
  2. Who do you think is more interested in the outcome of this  exercise? (1)
  3. Give a reason for your answer. (1)

6.2.2 Refer to line 4: ‘I’m all RIGHT, Dad.’ 

Rob’s tone in this line reveal that he is … 

    1. embarrassed.
    2. frustrated.
    3. sarcastic.
    4. bitter. (1) 

6.2.3 Refer to line 4: ‘My back aches.’ 

Does Rob really have a weak back? Give a reason for your answer. (1) 

6.2.4 Refer to lines 7–8: ‘… Mr Willison, aware that he was beginning to  sound like a nagging, over-anxious parent …’ 

Write down TWO incidents from the extract that made Mr Willison  ‘sound like a nagging, over-anxious parent’. (2)

6.2.5 Is the following statement TRUE or FALSE? Write ’True’ or ‘False’  and give a reason for your answer. 

Rob is tired because they have done a million miles.
Give a reason for your answer. (1) 

6.2.6 From your knowledge of the story, Rob’s parents did not agree in  the upbringing of their son. What blunders did both of them make? 

  1. Mr Willison’s weaknesses. (3)
  2. Mrs Willison’s weaknesses (3) 

6.2.7 From your knowledge of the story, we have come to learn that Mr  Willison tried to live his life through his son.  

Do you think this is fair? Give a reason for your answer. (1) 

6.2.8 If you were a close family member of the Willison’s, what advice  would you give Rob and his mother in order to support them? (2)

[35] 
TOTAL SECTION C: 35

SECTION D: POETRY 
In this section, questions have been set on the following poems:

  • 'Let me not to the marriage of true minds by William Shakespeare.
  • ‘Elementary school classroom in the slum by Stephen Spencer. 

Answer the questions on BOTH of the prescribed poems set. Read each poem  carefully and then answer the questions which follow. The number of marks  allocated to each question serves as a guide to the expected length of your answer. 
QUESTION 7 
7.1 Read the following poem and then answer the questions set on it.

Let me not to the marriage of true minds by William Shakespeare, 1
Let me not to the marriage of true minds 
Admit impediments. Love is not love 
Which alters when it alteration finds,
Or bends with the remover to remove: 
O, no! it is an ever-fixed mark, 
That looks on tempests and is never shaken; 5 
It is the star to every wandering bark, 
Whose worth’s unknown, although his height be taken. 
Love ’s not Time’s fool, though rosy lips and cheeks 
Within his bending sickle’s compass come; 
Love alters not with his brief hours and weeks, 10 
But bears it out even to the edge of doom. 
If this be error, and upon me prov’d, 
I never writ, nor no man ever lov’d.

7.1.1 Complete the following sentences by using the words provided in  the box below. Write down only the words next to the question  numbers (7.1.1 (a) – (c)). 

union; hatred; mentally; friendship; minds; argument  

 A marriage means a (a) … and in this sense of true minds. If two  people are (b) … united, then nothing should come between their  (c) … . (3) 

7.1.2 The poet speaks about the stability of true love. Quote from the  poem to prove this. (1) 
7.1.3 Refer to lines 5–6: ‘It is an ever-fixed mark … shaken’. 

The speaker implies that love should be solid. Explain in your own  words how this can, in the context of the poem, be possible. (2) 

7.1.4 What is a ‘wondering bark’? (1) 
7.1.5 Is the following statement TRUE or FALSE? Write ‘True’ or ‘False’  and give a reason for your answer. 

The stars were impractical to the captains of these sailing ships. (1) 

7.1.6 Refer to lines 9: ‘Love’s not Time’s fool, though rosy lips and  cheeks. 

  1. Identify the figure of speech used in this line. (1)
  2. Explain what the figure of speech conveys to the reader. (2) 

7.1.7 Quote TWO LINES from the poem that prove that love indeed will  have nothing to do with the aging process. (2) 
7.1.8 Summarise the couplet in your own words. (4)

AND

7.2 Read the following poem and then answer them questions set on it.

 Elementary school classroom in the slum by Stephen Spencer  

Far far from gusty waves these children’s faces. 
Like rootless weeds, the hair torn around their pallor. 
The tall girl with her weighed-down head. The paper 
seeming boy, with rat's eyes. The stunted, unlucky heir 
Of twisted bones, reciting a father’s gnarled disease, 5
His lesson from his desk. At back of the dim class 
One unnoted, sweet and young. His eyes live in a dream, 
Of squirrel's game, in the tree room, other than this. 

On sour cream walls, donations. Shakespeare’s head, 
Cloudless at dawn, civilized dome riding all cities. 10
Belled, flowery, Tyrolese valley. Open-handed map 
Awarding the world its world. And yet, for these 
Children, these windows, not this world, are world, 
Where all their future's painted with a fog, 
A narrow street sealed in with a lead sky, 15
Far far from rivers, capes, and stars of words. 

Surely, Shakespeare is wicked, and the map a bad example 
With ships and sun and love tempting them to steal-- 
For lives that slyly turn in their cramped holes 
From fog to endless night? On their slag heap, these children 20
Wear skins peeped through by bones and spectacles of steel 
With mended glass, like bottle bits on stones. 
All of their time and space are foggy slum. 
So blot their maps with slums as big as doom. 

Unless, governor, teacher, inspector, visitor, 25
This map becomes their window and these windows 
That shut upon their lives like catacombs, 
Break O break open 'till they break the town 
And show the children green fields and make their world
Run azure on gold sands, and let their tongues 30
Run naked into books, the white and green leaves open 
History is theirs whose language is the sun 

7.2.1 Refer to line 1: ‘Far far from gusty waves these children’s faces’. 

  1. Explain the link between the ‘children’s faces’ and the ‘gusty  waves’. (2)
  2. What is implied by the words, ‘Far far from gusty waves …’? (2)

7.2.2 Choose the correct answer to complete the following sentence. Write only the answer (A–D). 

  1. Refer to line 3: ‘The tall girl with her weighed-down head.’

Tall girls often stoop in attempt to appear … 

      1. friendly.
      2. shorter.
      3. difficult.
      4. sociable. (1)
  1. How in your choice in QUESTION 7.2.2(a) relevant to this  poem? (2) 

7.2.3 Refer to line 5: ‘… reciting a father’s gnarled disease’ Comment on the irony in the above line. (2) 
7.2.4 Quote a word from stanza 1 to prove that the classroom is badly  lit. 

Quote only ONE word. (1)

7.2.5 Refer to line 9: ‘On sour cream walls …’ 

  1. Would you say that the above is used as a pun? Explain  your answer. (1)
  2. What did the poet achieve by using this pun? (2) 

7.2.6 Choose the correct answer to complete the following sentence.  Write only the answer (A–D). 

  1. Refer to lines 11–12: ‘Open-handed map / Awarding the  world its world’ 

The world of the slum children is … 

    1. beyond the slums.
    2. what the map offers.
    3. limited to what they can see through the windows of  the classroom. (1)
    4. limitless. 

7.2.7 Refer to line 20: Quote TWO CONSECUTIVE words that tell us  that the poet does not have the slums of London in mind. (1)
7.2.8 Refer to lines 26–27: ‘This map becomes their window and these  windows that shut upon their lives like catacombs’. 

Identify the figure of speech in this line. (1)

7.2.9 Refer to line 31: ‘the white and green leaves open.’ 

Explain the contrast between the ‘white and green leaves and  why each is ‘opening’. (2)

[35] 
TOTAL SECTION D: 35 
GRAND TOTAL: 70

Last modified on Tuesday, 15 June 2021 08:05