MUSIC
PAPER 2
GRADE 12 
NSC EXAMS
PAST PAPERS AND MEMOS NOVEMBER 2018

MEMORANDUM 

Note to the marker: Candidates must be credited for any correct answers not given in  the marking guidelines.

SECTION A: AURAL 
QUESTION 1 
1.1 Listen to the melodic and rhythmic phrase. Notate the rhythm of the missing  notes in bars 2–3 below. 
Answer:  
1.1 jyguygad(3) 

1½ mark per bar as indicated = 3 marks

1.2 Which ONE of the notations below best represents the solo voice part?  Make a cross (X) in the appropriate block. 
1.2 jygyatgd(1) [4] 

QUESTION 2 
Listen to the extract below and answer the questions that follow. 
2 jgajgduya
2.1 Name the interval formed between the Db note and the missing note in bar 24.  

  • Answer: Perfect 4th (1) 

2.2 Which type of non-chordal note do you hear in bar 54? 

  • Answer: Anticipation (1) 

2.3 Name the cadence at bars 11 to 12. 

  • Answer: Perfect cadence (1) 

2.4 Listen to the music from bars 1 to 6. Some of the notation in bar 4 has been  omitted from the score. Fill in the missing pitches and note values that  correspond with the music that you hear. 

  • Answer: See score (2) 

Correct pitches and note values = ½ mark each No mark for correct pitch or note value only 

2.5 Name the solo instrument that plays the melody line in this extract. 

  • Answer: Trumpet (1) [6] 

TOTAL SECTION A: 10

SECTION B: RECOGNITION OF MUSIC CONCEPTS  
QUESTION 3: GENERAL LISTENING (COMPULSORY) 
Listen to the following tracks and answer the questions that follow. 

Note to marker: if a candidate selected more items than requested, only the first  answers must be marked. 

3.1 With which items in COLUMN A do you associate the music that you hear in  Track 7? Make a cross (X) in THREE appropriate blocks. 
Answer: 

COLUMN A 

Track 7

Chromatic passage 

X

Adagio

 

Duet

 

Allegretto 

X

String and wind quartet

 

Major key 

X

String quartet 

X

3x1 = 3 marks 

3.2 Which ONE of the following statements is correct? Make a cross (X) in the  appropriate block. 
 Answer: 

Statement

 

The extract consists of a motif, an imitation and an imperfect cadence 

X

The extract consists of a motif, inversion and an imperfect cadence

 

The extract consists of a motif, repetition and an imperfect cadence

 

1 mark 

3.3 With which items in COLUMN A do you associate the music that you hear in  Track 9? Make a cross (X) in THREE appropriate blocks. 
Answer: 

COLUMN A 

Track 9

Vocal melody starts with an anacrusis 

X

Triple time

 

Quadruple time 

X

Swing/shuffle rhythm 

X

Guitar introduction

 

12-bar blues

 

Syllabic word setting 

X

3x1 = 3 marks 

3.4 With which items in COLUMN A do you associate the music that you hear in  Track 10? Make a cross (X) in THREE appropriate blocks. 
Answer: 

COLUMN A 

Track 10

Chordal accompaniment 

X

Allegro 

 

Simple quadruple 

X

Compound triple

 

Guitar introduction 

X

Straight rhythm 

X

Alto voice 

X

3x1 = 3 marks 

3.5 Choose any TWO items in COLUMN A and identify what you hear, in  COLUMN B. 
Answer: 

COLUMN A 

COLUMN B 

(IDENTIFY)

Solo instrument 

Pennywhistle

Prominent compositional technique 

Repetition

Musical genre 

Kwela

Texture 

Homophonic

2x1 = 2 marks 

(12 ÷ 3 =) [4]

Answer QUESTION 4 (WAM) OR QUESTION 5 (JAZZ) OR QUESTION 6 (IAM).
QUESTION 4: WAM  
4.1 With which ONE of the following characters in COLUMN A do you associate  EACH track? Make a cross (X) in the appropriate block for each track. 
Answer: 

COLUMN A 

Track 12 

Track 13 

Track 14

Papageno 

X

   

Tamino 

   

X

Sarastro 

 

X

 

Monastatos

     

Pamina

     

3x1 = 3 marks 

4.2 Give a suitable Italian term to describe the tempo of the music in this extract. 

  • Answer: Largo/Larghetto/Adagio (1) 

4.3 Name the wind instrument heard at the end of this extract. 

  • Answer: Flute (1) 

4.4 Which item describes the compositional technique used in this extract? Choose from the list below. Make a cross (X) in the appropriate block.
Answer: 
4.4. ikhiyuagdh (1) 
4.5 What is the title of the movement from which this extract is taken? 

  • Answer: Awakening of cheerful feelings upon arrival in the countryside (1) 

4.6 Which solo wind instrument plays the melody? 

  • Answer: Clarinet (1) 

4.7 Which wind instrument plays an accompaniment to this melody at the start of  this extract? 

  • Answer: Bassoon (1)

4.8 Describe how Beethoven employs the string section in this extract. 
Answer: 

  • Forms part of the accompaniment 
  • Interjecting/punctuating two chords at the end of each subphrase (cadences) 
  • The two chords are played accented or > or detached 
  • Decrescendo/Diminuendo at the end of the track 
  • Features in the Introduction 
  • Alternating playing between strings and winds
  • Employs homophonic texture 

2x1 = 2 marks

4.9 Choose THREE statements below that best describe the music that you hear.  Make a cross (X) in THREE appropriate block. 
Answer: 

All instruments play in unison

 

Ascending legato passages 

X

Ascending chromatic scale passages 

X

Ascending chromatic sequences in clarinets

 

Long sustained note 

X

Clarinet solo

 

3x1 = 3 marks

4.10 Write down the title of the work from which this extract is taken. 

  • Answer: Hebrides Overture/Fingal's Cave  (3)
    (Lonely Island) = ½ mark(1) 

4.11 Identify from which part of the work this extract is taken. Choose from the list  below and make a cross (X) in the appropriate block. 
Answer: 

Part of work 

Answer

First subject/theme

 

Second subject/theme

 

End of the development 

X

Beginning of the coda

 

1x1 = 1 mark 

(16 ÷ 2=) [8] 
TOTAL SECTION B: 12 

OR

QUESTION 5: JAZZ 
5.1 With which FOUR items in COLUMN A do you associate the music that you  hear? Make a cross (X) in FOUR appropriate blocks. 
Answer: 

COLUMN A 

Answers

Mbaqanga

 

Pentatonic 

 

Major 

X

Simple quadruple 

X

12-bar blues

 

Cape Jazz 

X

5.1 uihy7hda

X

Kwela

 

Harmonic chord cycle 

X

4x1 = 4 marks 

5.2 Which item describes the melodic movement of the horn section? Make a  cross (X) in the appropriate block. 
Answer: 

Chromatic passage

 

Group improvisation

 

Ascending sequences

 

Descending sequences 

X

1 mark 

5.3 Apart from the drum kit, name ONE other instrument that forms part of the  rhythm section in this extract. 

  • Answer: Bass guitar/Rhythm guitar/Piano (1) 

5.4 With which one of the South African solo artists do you associate this extract?  Make a cross (X) in the appropriate block.
Answer:  
5.4 jgyuayduya
5.5 With which THREE items in COLUMN A do you associate the music that you  hear? Make a cross (X) in THREE appropriate blocks. 
Answer:

COLUMN A 

Answers

Fuses Xhosa songs with blues 

 

Abdullah Ibrahim influences 

X

Idiophone 

X

Modal chord progression 

X

Improvisation

 

Ceremonial atmosphere 

X

Answer: 

3x1 = 3 marks 

5.6 Describe the role of the piano in this extract. 
Answer: 

  • Provides short introduction 
  • Plays the ostinato 
  • Plays short melodic riffs 
  • Provides rhythmic drive 
  •  Provides an African percussive timbre 
  • Provides harmonic basis (modal chords) 

Any TWO correct answers = 2 marks 

5.7 Name the instrument that plays the accompaniment in the introduction of this  extract. 

  • Answer: (Rhythm) guitar/banjo/double bass (1) 

5.8 Describe the role of the backing singers. 
Answer: 

  • provides harmonic support 
  • Adds tone colour (male voices) 
  • Thickens texture (new layer of sound) 

Any TWO correct answers = 2 marks 

5.9 Name ONE group that you associate with this jazz style. 
Answer: 

  • The Manhattan Brothers 
  • The Merry Blackbirds 

Any ONE correct answer = 1 mark 

OR

(16 ÷ 2=) [8] 
TOTAL SECTION B: 12 

QUESTION 6: IAM  
6.1 With which FOUR items in COLUMN A do you associate the music that you  hear? Make a cross (X) in FOUR appropriate blocks.  
Answer: 

COLUMN A 

Answer

Mbaqanga

 

Modal 

X

Malombo

 

Umrhube 

X

Ululation 

X

Major

 

Aerophone 

X

Concertina

 

Repetition 

X

4x1 = 4 marks 

6.2 Describe the whistling that you hear. 
Answer: 

  • Provides melodic material over marimba accompaniment 
  • Has an improvisational character 
  • Glissandi 
  • There are multiple (3-4) whistles (polyphonic) 
  • Call and response 

Any correct answer = 1 mark 

6.3 Write down a suitable term to describe the rhythmic feature in the  accompaniment. 
Answer: 

  • Polyrhythms/Cross rhythms 
  • Repetitive overlapping rhythmic pattern. 

Any correct answer = 1 mark 

6.4 With which THREE items in COLUMN A do you associate the music that you  hear? Make a cross (X) in THREE appropriate blocks.  
 Answer: 

COLUMN A 

Answer

Blues 

 

Batswana 

X

Idiophone 

X

Malombo drum

 

Chord cycle 

X

Tshikona

 

Correct answers = 3 marks 

6.5 Identify the differences between Track 29 and Track 30. Choose only TWO  items in column A for your comparison. 
Answer: 

COLUMN A 

Track 29 

Track 30

Introduction 

Organ/Keyboard prominent 

Guitar prominent `

Drum kit enters later during  the introduction

Drum kit features from the  beginning

Voice type 

Male singers only 

(solo and backing vocals)

Female singers (SSA) and a  solo male singer  

(baritone/Idoshaba/Umngqokolo)

Tempo/Beat 

Relaxed beat 

Energetic driving beat

(Medium tempo) 

(Fast tempo)

Any TWO correct correlated differences = 2 x 2 = 4 marks No marks awarded if direct comparison is not made 

6.6 Name the style that you associate with both extracts. 

  • Answer: Mbaqanga (1) 

6.7 With which artists/bands do you associate each track? 
Answer: 

  • Track 29: Soul Brothers
  • Track 30: Mahlathini and the Mahotella Queens/Cool Crooners 

2x1 = 2 marks 

(16 ÷ 2=) [8] 
TOTAL SECTION B: 12

SECTION C: FORM 
QUESTION 7  
Read and study the questions for ONE minute. 
Listen to the piece below while you study the score.
7 kkgyugauydga
7.1 Name the form type of this piece? 

  • Answer: AB/Binary (1) 

7.2 Motivate your answer to QUESTION 7.1 by giving a schematic layout of the  form of this piece. Use the table below.
Answer: 

Section 

Bar numbers

1–8 or 04–83

84 – 163 

1 mark for each correct section = 2 marks 

1 mark for correct bar numbers of each section = 2 marks 

7.3 Name the texture type of this extract. 

  • Answer: Homophonic (1) 

7.4 What is the function of the F natural in bar 8? 
Answer: 

  • It shows a temporary/short modulation to C Major 
  • The lowered leading note of G major suggests a secondary dominant,  V7/IV 

Any correct answer = 1 mark Modulation = ½ mark 

7.5 Which ONE of the following features is used in this piece? Make a cross (X) in  the appropriate block. 
Answer: 
7.5 jygauygduyag(1) [8] 

TOTAL SECTION C: 8
GRAND TOTAL: 30

Last modified on Thursday, 23 September 2021 09:08