VISUAL ARTS
PAPER 1
GRADE 12 
NSC PAST PAPERS AND MEMOS
FEBRUARY/MARCH 2018

INSTRUCTIONS AND INFORMATION 
In this examination you must demonstrate the following skills: 

• Using the correct art terminology
• Using and implementing visual analysis and critical thinking
• Writing and researching within a historical and cultural context
• Placing specific examples in a cultural, social, political and historical context
• Understanding distinctive creative styles 

Read the following instructions before deciding which questions to answer. 

1. This question paper consists of EIGHT questions. 
2. Answer any FIVE questions for a total of 100 marks. 
3. Number the answers correctly according to the numbering system used in this  question paper. 
4. Questions appear on the left-hand pages, with visual sources on the  right-hand pages.  
5. Ensure that you refer to the visual sources reproduced in colour where  required. 
6. Information discussed in one answer will NOT be credited if repeated in other  answers. Cross-referencing of artworks is permissible. 
7. Name the artist(s) and title of each artwork you discuss in your answers.  Underline the title of an artwork or the name of a building. 
8. Write in a clear, creative and structured manner, using full sentences and  paragraphs according to the instructions of each question. The listing of  facts/tables is NOT acceptable. 
9. Use the following guidelines for the length of your answers. Note the mark  allocation.
   • 6–8 marks: a minimum of ½–¾ page (paragraph)
   • 10–14 marks: a minimum of 1–1½ page(s) (short essay)
   • 20 marks: a minimum of 2 pages (essay) 
10. Write neatly and legibly.

QUESTIONS

ANSWER ANY FIVE QUESTIONS. 
QUESTION 1: THE VOICE OF EMERGING ARTISTS 
1.1 Refer to FIGURE 1a and FIGURE 1b. Compare the different approaches of  the artists. 
Use the following guidelines in your discussion: 

• Subject matter
• Influences
• Line, shape and colour
• Placements of the figures and buildings/structures
• Style of painting
• Mood/Atmosphere (8) 

1.2 Write an essay on ONE South African artist that depicts his/her surroundings  and own experiences from everyday life. 
Refer to the following: 

• Subject matter 
• Influences
• Art elements
• Composition
• Style
• Possible meanings/messages (12) [20]

FIGURE 1a: Willie Bester, Township Life, mixed media, date unknown. 

FIGURE 1b: David Hockney, American Collectors,  acrylic, 1968.

QUESTION 2: SOUTH AFRICAN ARTISTS INFLUENCED BY AFRICAN AND/OR  INDIGENOUS ART FORMS  

2.1 Discuss the statement above by referring to African and other influences in  FIGURE 2a and FIGURE 2b. 
You may include the following: 

• Shapes and symbols
• Art elements
• Possible meanings/messages (8) 

2.2 Discuss ONE artwork by ONE artist whose works are/were influenced  by Africa. 
Use the following guidelines in your answer: 

• Subject matter
• Influences
• Symbols
• Style
• Possible meanings/messages (12) [20]

FIGURE 2a: Karel Appel, Angry Landscape,  oil on canvas, 1967. 

FIGURE 2b: Walter Battiss, Mother of the Tribe, oil on canvas, date unknown.

QUESTION 3: SOCIO-POLITICAL ART, INCLUDING RESISTANCE ART OF THE  1970s AND 1980s 

3.1 Analyse FIGURE 3a and FIGURE 3b to comment on how these artists  conveyed their voices of resistance. 
You may use the following guidelines: 

• Subject matter
• Media and technique 
• Symbolism 
• Possible meanings/messages (8) 

3.2 Discuss the work of any TWO South African artists who use their art to  convey messages of social and/or political issues.  
Use the following in your answer: 

• Subject matter
• Influences
• Art elements
• Media and technique
• Possible meanings/messages (12) [20]

FIGURE 3a: Sam Nhlengwethwa, Shaft, collage and mixed media, 1987. 

FIGURE 3b: Khaya Witbooi, Guns and Roses,  oil and spray paint on canvas, 2012.

QUESTION 4: ART, CRAFT AND SPIRITUAL WORKS MAINLY FROM RURAL  SOUTH AFRICA 

4.1 Discuss how the traditional mask has been reinterpreted by referring to  FIGURE 4a to FIGURE 4d. 
You may refer to the following: 

• Use of recycled materials
• Techniques
• Possible meanings/messages (8) 

4.2 Analyse the work of TWO South African artists who represent rural art, crafts  and/or spirituality. 

Related Items

• Influences
• Art elements
• Media and techniques
• Possible meanings/messages (12) [20]

FIGURE 4a: Traditional African mask, wood and paint, date unknown. 

FIGURE 4b: Edson Chagas, Tipo Passe  (Passport), date unknown. 

FIGURE 4c: Romuald Hazoumé, Dogon,  recycled materials, 1996. 

FIGURE 4d: Cyrus Kabiru, C-Stunners series, repurposed and recycled materials, 2012. 

QUESTION 5: MULTIMEDIA AND NEW MEDIA – ALTERNATIVE  CONTEMPORARY AND POPULAR ART FORMS IN SOUTH  AFRICA 

5.1 Discuss Minujín 's artwork in FIGURE 5a. 
Use the following guidelines: 

• The significance of using books from around the world
• The size of the work
• Display of the artwork in a public space
• Use of site
• Interaction of the viewer
• Possible meanings/messages (8) .  

5.2 Artists often portray their own interpretation of stories and myths and use  different material and techniques to tell a story. 
Discuss ONE artwork from TWO different artists who use unconventional/ interesting media and techniques to tell a story. 
Use the following guidelines: 

• Line, shape and colour
• Media and techniques
• Possible meanings/messages (12)  [20]

FIGURE 5a: Marta Minujín, Tower of Babel, books, scaffolding, 2011.

FIGURE 5b: Details of books and construction, 2011.

QUESTION 6: POST-1994 DEMOCRATIC IDENTITY IN SOUTH AFRICA 

6.1 Discuss how Zyma Amien portrayed this exploitation in her work by referring  to the following: 

• Description of the work
• Colour
• Symbolism (6) 

6.2 Like Zyma Amien, many post-1994 democratic artists' work has developed  from their own personal histories.  
Discuss the work of any TWO relevant South African post-1994 democratic  artists who explore their own identities. 
You may refer to the following guidelines: 

• Subject matter
• Influences
• Art elements
• Composition
• Style
• Possible meanings/messages (14) [20]

FIGURE 6a: Zyma Amien, Paying Homage, overalls made from gauze  and sewing machines from different time periods, installation, 2016. 

FIGURE 6b: Zyma Amien, Paying Homage,  close-up photograph, 2016.

QUESTION 7: GENDER ISSUES: MASCULINITY AND FEMININITY 

7.1 Do you think the artists in FIGURE 7a and FIGURE 7b have broken with  stereotypes? 
Respond to the above statement by using the following guidelines: 

• Visual appearance/body language 
• Style and technique
• Mood and atmosphere
• Interpretation of gender issues (10)

7.2 Society has prejudiced ideas on masculinity and femininity.  
Debate your viewpoint of this issue in a discussion of the work of TWO artists  who commented on gender aspects in their work.  
Use the following as a guideline: 

• Subject matter/Themes
• Influences
• Media and techniques
• Style
• Possible meanings/messages (10) [20]

FIGURE 7a: Andrew Salgado, Drawing Lesson,  oil- and spray paint on canvas, 2014. 

FIGURE 7b: Kehinde Wiley, The World Stage: Jamaica series,  oil on canvas, 2013.

QUESTION 8: ARCHITECTURE IN SOUTH AFRICA 

Analyse any TWO buildings you have studied this year by answering the following: 

• Do you think it was a good idea of PKA International Architects to incorporate part  of the old Tshwane building into the new design for the Agrivaal headquarters?  Substantiate your answer by referring to your own examples.
• What structures have your chosen architects used in their buildings? 
• Do you think that architects should maintain parts of old buildings when building/ designing a new structure? Substantiate your answer.
• Does your selected building reflect South Africa's heritage? Substantiate your  answer.
• Materials 
• Style
• Possible influences [20] 

FIGURE 8a: Francois van der Merwe Architects and PKA International Architects,  Agrivaal headquarters for the Department of Public Works,  corner of Hamilton and Edmond Street, Tshwane,  tiles, glass, face brick, 2013. 

FIGURE 8b: Francois van der Merwe Architects and PKA International Architects,  Agrivaal headquarters, tiles, glass, face brick, 2013 (interior). 

TOTAL: 100